AIAIAI is a Danish audio company dedicated to empowering the future of music creation.
With an ambition to break down technical, cultural, and creative barriers, our products fit the versatile needs of the modern music creator - on the road, in the studio, and on stage. Driven by a responsible design philosophy, and with a heritage in Scandinavian design, our products are designed to last.
Trusted for music creativity. Combining the very best in sound technology with award-winning and sustainable design. Our audio products are developed in close collaboration with the most innovative artists and forward-thinking communities in the world.
ARTISTS
Benji B
"The Anna Wintour of Music" - Benji B started his climb to success earlier than most of his peers in the industry. His first step was landing a job with legendary radio DJ Gilles Peterson on Kiss FM at just 16. From there it wasn’t long until he had his own show on BBC Radio 1Xtra. Today Benji holds down a weekly slot on Radio 1 using the platform to introduce listeners to underground electronic music from around the world.
Kaytranada
Effortlessly bridging the worlds of RnB soul and electronic music the musician DJ remixer and Canadian beatsmith known as Kaytranada is many things but chief among them an extremely talented producer with what already looks set to be an exceptional career ahead of him.
Charlotte de Witte
On stage de Witte charms techno heads with her natural ease, composure and expertise. Making it almost look easy to play the biggest stages in the world. Her own studio productions have proven to be intense, addictive and downright impressive, captivating sounding labels like Novamute and Mary Go Wild. The future looks bright for Charlotte de Witte.
Bonobo
When Simon Green first burst onto the scene in 2000 with the ‘Animal Magic’ LP it was a time when words like ‘downtempo’ were frequently thrown about by music journalists and experimental turntablism and crate-dug samples were all the rage among producers. While Bonobo’s immediately recognizable sound has always been indebted to these traditions it has also matured over time into favouring the organic unpredictability of live instrumentation over the post-modern collage of sampling.
